1/17/2024 0 Comments Houdini magician costumeI believe Rosa appreciated this from the very beginning. And being privy to the mechanics of a magical feat destroys any sense of illusion. The performance - the performance - of a stunning magical feat, and barely has their initial amazement subsided than they are asking (I hear them, I see it in their faces): How the fuck did he do that?Īs I say, magic, as an art form, isn't the mere presentation of puzzles to confound the onlooker it isn't about tricks, it's about Spectators, for all this, remain fixated on secrets, on trickery. When I'm on stage, I'm an actor playing the part of a magician. To be exact, I was a member of an undergraduate drama societyĪt Oxford (Poly, as was, not the University). In truth, tricks are incidental if magic consists of mere trickery, then acting requires nothing but costume and make-up. That is, I perform feats of conjuring and illusion for the purposes of entertainment. Trickery implies a perpetrator and a victim. To trick someone suggests you have (to your benefit and their disadvantage) cheated, swindled or deceived them in some underhand way. Besides, divulging the `trick' might satisfy an onlooker's curiosity, but magic isn't about Exposure, especially in the immediate aftermath of an effect, can't be anything but anticlimactic. Methods are seldom as interesting as the feats performed by their means if I tell the audience how it's done, I diminish their respectįor me. No, my reason for keeping schtum is pure self-interest. This isn't mere adherence on my part to a tenet of the Magic Circle, nor stubborn respect for the traditions of our profession (although it's true we've endeavoured to guard `Exposure' - that is, deliberate revelation of the secret means by which magic is accomplished, as opposed to ` disclosure'īy accident or incompetence - is discreditable. I never divulge the methodology of a specific effect. Ask away, I won't tell you how it's done.
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